Composition

BUYC Choir Camp 2017 Recap

Choir camps always prove to be enjoyable, busy, and exhausting weeks. Last week was no exception. We played games, worked hard, learned much, and sang a lot! Our theme this year was Songs of Childhood. We learned about how children are raised in different countries, and we even played children’s song games from all over the world. We will be doing one more this summer in Detroit (July 17-20). If you’re interested, here’s the site you need to visit!

Every year, I am amazed how much the kids can learn in 4 days, especially since some of the children have had little to no musical training! Here’s a quick overview of what I taught them:

IMG_1412Day 1:

First we started out with some fun camp songs. It is a choir camp, after all. You have to start with singing :). We then learned how to sing with good posture and how to sing in tune. We also began working on some songs that we would perform at the concert on Thursday. I made a new arrangement of “A la puerta del cielo,” which they sang pretty well.

Day 2:

We reviewed the words and melody to an Argentinian children’s game called “Caracol.” The game is kinda cool, but it takes a little while to be able to sing and play it at the same time if you don’t know Spanish. The kids played an Indian (from India) game called “Fire on the Mountain,” which they liked a lot.

Day 3:

IMG_1415The kids finally got to play “Caracol.” The word means “snail.” It’s a line game where one side of the line twists the other into “the shell.” Then, the opposite side of the line pulls everyone out again. The group picks up speed, and the children are flung outward onto the ground. Children love these kinds of games; they are played all over the world. Learning these games are a great way for kids to connect with other cultures.

Day 4:

IMG_1418One of our board members also leads a drumming circle at her church. She led a short djembe drumming class. This provided a nice change of pace as we were preparing for our end-of-camp concert later that night. The kids sang four songs. Some had harmony, because it is very important for children to sing in harmony if they want to grow musically. Children need to develop their ability to hold their own part while other parts are happening. This grows their musical hearing and performing skills.

IMG_1416Well, that about sums it up. The kids had a great time. They really seemed to enjoy learning about children from other cultures. They immensely enjoyed playing children’s games from other countries. What a fun and informative trip through the musical world!

 

My Recap of the Composers’ Workshop

Composing has always been a little intimidating for me. I enjoy doing it, but can never escape the feeling that I could be doing it better. Additionally, finding people who are open and honest about the craft can be difficult. For this reason, I was drawn to the John Ness Beck Foundation Choral Composers’ Workshop that I attended last week. The workshop is presented through Beckenhorst Press. This publisher has always been one of my favorites. They strive for accessibility without sacrificing artistry.

Anyway, it was an excellent workshop, and I learned a great deal. There was so much information that I often felt like I was taking a drink from a fire hose!  Consequently, I don’t feel like I am doing the workshop justice by condensing it to a short blog post. However, it would be a greater injustice for me not to try. So here goes nothing:

First off, let me say that Dan Forrest, Craig Courtney, and Howard Helvey are wonderful teachers. Having worked in the industry for years as composers, editors, and pedagogues, they brought a wealth of wisdom and experience to the workshop. Additionally, each participant had the opportunity to present pieces for critique. That can be a terrifying proposition, but Dan, Craig, and Howard tempered forthrightness with kindness. They took a scary situation and made us feel at ease. This is no easy feat!

They also taught us to delve into our compositional process. When are the best times of day for us as individuals to compose? How long should you try to compose per day? They answered these and many other questions with personal anecdotes as well as stories from other composers.

This year, they invited lyricists to join us for a day, and we got to pick their brains and collaborate. This experience was very exciting. Working with lyricists gives you a different perspective. You gain a new appreciation for the craftsmanship of the words, as well as an understanding of how much effort goes into choosing each word.

Lastly, they told us about the composing industry. Specifically, when are the best times for submitting pieces for publication? What about self-publishing? How difficult is it to get published? To which publishers should I submit my pieces? They answered all these questions and more.

Composing was always something I wanted to do better. I had ideas, but they did not always come together into a coherent whole. The composers’ workshop I attended this past week helped me figure this out. I think this will make my future compositions more cogent and compelling.

It also helped me as a conductor. Good conductors must understand why the composers and lyricists made the choices they did. This understanding, in turn, enables conductors to perform pieces precisely and expressively. The workshop provided that insight.

I would highly recommend this workshop to aspiring composers of choral music (particularly church music). The teachers are honest and kind, the fellow participants are talented and affirming, and the sessions were informative and life-changing.

I’m Heading Back to Greenville!

Next Week, I’ll be heading back to a city I have not seen since 2010: Good ole Greenville, SC. I’m going there for a week-long composition seminar with Dan Forrest, Craig Courtney, and Howard Helvey! Over the years, my choirs have sung much of their music, and I am thrilled to finally meet them in person. They are all highly successful composers, their music is frequently published, and–most importantly–they strive for that elusive balance of artistry and accessibility in their pieces.  In particular, Dan Forrest has become one of my favorite contemporary composers. His pieces are beautiful and lyrical.

I am extremely excited and just a little nervous. I’ve done a lot of conducting and a ton of singing, but composing is something I’ve always done on the side. I write a piece every summer for my children’s choir camps. I’ve also composed pieces for my choirs to use in concerts and tours. I am truly honored to be allowed to attend this workshop, and I am hopeful that I will gain a great deal of insight into the composition process. I’m also looking forward to making new friends and meeting with old ones!

Plus, I’ve heard Greenville has extensively renovated its downtown. Greenville is consistently ranked as one of the best towns in the South. It will be fascinating to see how much it has changed and grown. On to Greenville!