Arts Entrepreneurship

An Update to the Website

Hello Everyone,

It has always been my goal with this blog to offer helpful information and resources for those involved in singing, performing, and teaching, as well as keep you updated on my life and musical work. I think that has been accomplished over the past several years. However, you all deserve even more!

In the next few weeks you may see some changes to this website.  I will be adding some recordings and hopefully some other cool things too. Stay tuned!

Advertisements

Voice Recital 2017 Program

Hello All,

My recital is one week out! On Saturday, Nov. 18 at 7:00 pm (First Presbyterian Church of Kalamazoo, I’ll be singing my heart out to some pretty awesome music! Accordingly, here is the program. Since it reflects my musical tastes, you’ll be feasting on a smorgasbord of musical genres, including baroque and romantic music, Irish and American folk music, choral (and Christmas!) music, and vocal jazz. You’ll be missing out on some amazing music if you don’t come!

I

Thus saith the Lord/But who may abide from Messiah (George Frederick Handel)

Et in spiritum sanctum from B minor Mass (Johann Sebastian Bach)

II

The Vagabond from Songs of Travel (Ralph Vaughan Williams)

Whither Must I Wander from Songs of Travel (Ralph Vaughan Williams)

La lune blanche luis dans le bois from La bonne chanson (Gabriel Fauré)

Jared Montgomery, Piano

Intermission

III

Danny Boy (arr. Joel Snyder)

When I’m in the Storm (Joel Snyder)

Josh Moran, Guitar

IV

A Basque Lullaby (Dan Forrest)

Salvation Has Come to Us (Joel Snyder)

Concentus: Cara Gross, Bri Rigozzi, Sarabeth Brown, Savannah Gonsoulin, Ryan Block, Andrew Miller, Mathieu Hastings; Jared Montgomery, Piano

V

The Way You Look Tonight (Dorothy Fields and Jerome Kern)

Let’s Fall in Love (Harold Arlen and Ted Koehler)

Ryan Block, Piano

My Upcoming YA Urban Fantasy Novel!

Okay, so this blog is primarily concerned with music-related things, but I’m just so excited about this! Several years ago, I began writing a novel about a monster hunting family. School got in the way, but I finally finished it and am sooooooo close to publishing it. Here’s the plot summary!

When a vampire shoulders John into the boy’s restroom at his new school and tries to snack on him, his first instinct is to fight back. But with the undead, punching and kicking just won’t cut it. Thankfully, his new friend Donovan’s Gift is killing monsters! Discovering that John is Gifted too, Donovan invites him to join his family of Hunters. John hopes he’s found the family he’s always longed for…

Though born into Hunting royalty, Donovan’s younger sister Corinne is constantly overlooked. Small, thin, and lacking the Gift, she learns instead to weaponize her mind…Dark tensions fester beneath the surface of her family. Her parents play favorites, Donovan sneaks around with a girl from school, and her uncle antagonizes the Hunter’s Council.

In Hunter lore vampires thirst for blood first and think second. So why are these vampires always one step ahead? And who’s hunting whom? A tale of magic, mystery, mayhem, monsters, and martial arts!

I’m singing a Solo Concert at First Presbyterian in Kzoo!

I will be performing a solo concert at First Presbyterian in Kalamazoo on Nov. 18! I’m very excited about this. It gives me the opportunity to perform rep that I’ve always wanted to perform and to show different sides of my musical personality. There will be a bit of something for everyone. I’ll be singing some solo music by Handel, Bach, Fauré, and Vaughan Williams, some choral music by Dan Forrest and me (an original piece!), and even some vocal jazz.

Most excitingly, I’ll be performing with some wonderful musician friends that I got to know at WMU. Western is a truly amazing place where you meet talented, dedicated, hard-working musicians who aren’t trying to compete with each other all the time. It’s a place that believes you can succeed by lifting each other up, not tearing each other down. Western isn’t even paying me to say that!

It will be a benefit concert, but I’m still working out some of the details on that. I’ll let you know once things are finalized. If you’re free on Saturday evening, Nov. 18, please stop on by First Presbyterian!

Life Update October 2017

Well, it’s that time again: time to let the world know what is going on in my life. I’m excited about finishing several projects, some of which have taken years to come to completion!

Non-fiction Book on How to Sing

If you’ve followed this blog for any length of time, you know that I like to write and teach about singing. Helping students sing more healthily is a passion of mine. It is something I’ve worked long and hard at for several years. Through that time, I distilled the main elements of healthy singing into four easily understood categories. Most vocal problems can be reduced to one or more of these singing fundamentals.

Well, I finally put these awesome materials down in writing! I’m polishing some things in it and making helpful how-to videos that will make this book even more useful to the beginning singer. This book will enable the beginning singer to gain a clear understanding of the voice as an instrument. It will also help voice teachers who want to know how to teach beginning singers. My goal is to publish this by the end of the year.

Young Adult Fiction Novel

Yes, you read that right. I’ve been slowly writing my first fiction novel. I would have finished it sooner, but school and other priorities tend to take precedence. Thankfully, the book is nearing completion as well.

The book has it all: an evil conspiracy, monsters, hunters, lots of action, and martial arts! Ultimately, though, the book is about family, and how the choices they make impact their lives. I also plan to publish this soon!

Solo Singer Benefit Recital in November

I’ve wanted to sing a recital in Kalamazoo for a while. Now, I’ve made time to do it! I will be raising money for charity at the concert by singing a lot of different repertoire. There should be a little something for everybody. I will be performing jazz, choral, baroque, classical, and other styles of music. A lot of great musicians will be joining me for this event, so the music will be stellar. I will announce dates and what we’re raising money for soon. Stay posted!

Choral Extravaganza Next April

I have been working with several choirs in the south-central MI to host a benefit concert in April 2018. I’m really excited about this, as it accomplishes several things I’m passionate about. I love helping people, and I love collaborating with talented, motivated individuals. More to come on this as we get closer.

Regular Work

I’m also continuing to teach voice lessons and martial arts, conduct the West Michigan Homeschool Fine Arts Kalamazoo Choir, lead worship at Calvary Baptist Church in Quincy, and direct the Branch United Youth Choir in Coldwater. Life is busy, but good!

 

When to Change a Tradition

As someone who is on the opposite end of the spectrum from traditionalists, I sometimes become restless. When I go to a restaurant, I like to try new foods. When I’m in a class, I seek out a new seat in every session.  Repeating old projects verbatim-to me, anyway-is boring. Can I do or try something new? This is part of the reason I enjoy the arts. It is project-oriented (e.g. the concert, the recording, the fundraiser, etc.).

In the past, this has sometimes caused friction. People like tradition, and tradition isn’t inherently bad. The problem comes when tradition transmogrifies into traditionalism. Tradition becomes an end in and of itself. It hardens into a mindset. The tradition is “the right way” to do something. Why change the tradition if it still kinda sorta works?

What does tradition provide? Tradition provides continuity and community for an organization or individual. At Western Michigan University, the choirs often sing the alma mater before concerts. The college students link arms and sway back and forth as they sing. While to some this may seem cheesy to some, the students like it. It is something distinctive and special. It gives them a sense of belonging. It connects choral singers-past, present, and future.

With all of that said, I think there are several reasons to change a tradition:

  1. Perhaps the old way is not as effective, and needs to be tweaked. The results of doing the tradition are diminishing, and it needs updating to be more effective. Maybe you should use technology to speed up the process. Maybe a certain step in the operation is redundant.
  2. Perhaps you’ve found a much better way. You went to a workshop, and they showed how the such-and-such Master Chorale of someplace does this awesome thing in their rehearsals that will make your life as a choir director better. This new thing might work for you; it might not. You will never know until you attempt it.
  3. Perhaps you want to put your own stamp on an organization. The organization just does not feel like it is yours. It feels like the old director’s. You know that if you do this new thing, then you will establish a new tradition, your tradition. The danger with this lies in trying to change things too fast, particularly if the previous director was popular. If you change things too quickly or flippantly, there will be a backlash against you.
  4. Perhaps the people in the organization have become complacent. They do the same ole, same ole. Because they are content treading water, they are not going anywhere. The organization is not growing, and is often shrinking. As someone once told me, an organization that refuses to change refuses to live.
  5. Perhaps you want to prepare them for a much bigger change in the future. People tend to do what is comfortable. In order to prepare them for a big change, maybe a smaller change will help them accept the larger one.

To be clear, I’m not talking about completely jettisoning tradition. Throwing out a tradition simply because it has been done before is foolish and arrogant, and will likely cause problems. It will make you look like a dictator. However, methodical change, when wisely implemented, will enable your organization to grow.

 

The INTJ Musician

When I was in undergrad, I took my first Myers Briggs test. It was paradigm-shifting. I finally understood significant aspects of my personality. Some don’t find this test particularly helpful. If it works for you, great; if not, that’s okay too. All I know is that it worked for me. If anyone wants to take it, you can do it here. Anyway, I discovered that I was the type called INTJ. We are very rare and often misunderstood. Even rarer are INTJ creatives and performers. That’s because INTJ’s typically don’t like to be in front of others.

I know what some of you are asking. What on earth is an INTJ? INTJ’s come from a personality test that deals with several aspects of a persons personality. Before I dive into them, it must first be said that each of the personality elements are more of a spectrum than a definite thing. This means that a person will have some of the aspects of a personality type, but not all of them. Humans are complex. One INTJ might be 60% introverted and 40% extroverted, while another might be 90% introverted and 10% extroverted. Labels and categories are generalizations, and should be treated as such.

First, the test determines if you are primarily an [I]ntrovert or an [E]xtrovert. An introvert is someone who loses energy by being around others and gains it by being alone. An extrovert gains energy by being around others and loses it when alone. As an INTJ, I often find it exhausting to be around other people. For instance, I have a set amount of time I can spend at a party until I turn into a pumpkin.

The second category is i[N]tuitive or [S]ensing. Intuitive people tend to make their decisions based on internal decisions like logic and connecting the dots rather than merely “external facts.” They look for patterns behind data and use logic to figure out a better path. INTJ’s use intuition to make decisions. It is not unheard of for an INTJ to always be thinking multiple steps ahead. They often live inside their own head, and sometimes struggle to get out of it.

The third category is [T]hinking or [F]eeling. Thinkers trust logic and facts more than feelings when making decisions. For the thinker, feelings often get in the way of making good decisions. An INTJ then, does not trust feelings when it comes to decision making. Some of you might be asking at this point, “Aren’t creatives always going with their feelings?” I’ll approach this subject in a later post.

The last category is [J]udging or [P]erceiving. Those in the judging category are driven to make decisions and plans based on what they’ve understood. Perceivers believe that formulating the idea is the important thing, not implementing it. INTJ’s are the opposite. We have to put our plans into action.

Although I have read a lot of internet articles about INTJ’s, I have not seen many that talk about INTJ creatives. INTJ Musicians, in particular, are seldom mentioned other than in listings of possible celebrity INTJ’s.  In coming posts, I will be unpacking how being this personality type has affected me as a professional musician. We approach the creative process and performing differently than other types. It is my hope that this might help you deal with that INTJ Creative in your life. If you don’t know how to handle us, we can be a handful.

 

Picture Source: By Jake Beech (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons