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The Celebris Ensemble Is Going Virtual!

COVID-19 has placed all of the arts in an odd state, and many of us are doing our best to adapt. That adaptation has been helpful in some ways, because it has forced us kicking a screaming into the 21st century!

Celebris is no exception to this. In order to protect our singers and audience, we are planning a virtual concert. This past Saturday, the musicians of Celebris got together and recorded a concert that is being processed as we speak! On October 23-25, We will be posting a link online for folks to listen to. All we ask is that there be a donation if you can. Additionally, we will be providing this to music teachers who are looking for some musical offerings and assignments for their students! Donations will be encouraged but not demanded. This helps fulfill our mission of arts education for underserved communities. We are a 501c3, so all donations are tax-deductible.

What’s the theme, you may ask? The past few months have been quite difficult for all of us. Loved ones have died of COVID. Some folks have sought solace in drugs, drink, and/or self-harm. Others have lost their livelihoods. Compounded to all of this is the civil and racial unrest in our country.

Because of these things, it was laid on my heart to create a concert on the themes of hope, peace, and healing. It’s a chicken-soup-for-the-soul concert, if you will. We will explore these themes through a variety of styles and time periods, from medieval chant to modern jazz. It’s our hope that you will come away from this concert feeling uplifted and comforted.

If you are interested, please sign up to the mailing list below.

Celebris Information Ensemble Sign-up List

If you are interested in supporting us, you can donate here.

On Being a Human Becoming

During my undergrad years, I worked for a painting contractor in the summers. This was a wonderful job, because, through it, I paid for my entire school bill. I also learned the value of hard work and developed a sincere hatred for wasps. Did you know that you can kill a wasp with a baseball cap?

Also, I was able to listen to things as I worked. One of the people I listened to loved to talk about philosophy. In one particular session, the speaker highlighted a Greek philosopher by the name of Heraclitus, who said that whatever is, is changing. We never step into the same river twice because the water has already flowed downstream. We have also changed; we are older. The speaker I was listening to made an offhand comment that has stuck with me. He said that it might be better to call a human “being” a human “becoming.”

I’ve reflected on this thought over the years. What does it mean to be a human becoming? What am I becoming? Am I becoming something good or something bad? Do I see my fellow human becomings as people like myself, people with good, evil, wisdom, and foolishness all in flux?

All of us are becoming something else. You can’t stop it. You will always be becoming someone different. Even the person who actively tries not to change (or is content not to change) goes through a process I like to call ossification. You harden into a person with even more of the traits that you already have. If you are this person, you’d better hope that they are good traits!

Embrace the idea of becoming. You can change; you can grow into a better person! Isn’t that a wonderful thought? If you heed the idea of becoming, you will be more on guard against your own foibles and actively try to replace them with more positive attributes. You can wage war on your anger and replace it with forgiveness. You can cut out your arrogance and self-righteousness, and instead you can implant humility. You can stop being a miser and become a giver. You can slay the green-eyed monster of jealousy and covetousness, and you can raise within yourself the virtues of contentedness and happiness for someone else’s success. What amazing possibilities!

This principle also has profound implications on how you deal with other people. How will you treat your fellow human becomings? Will you realize that they are all beings-in-process, just like you? Can you forgive their flaws? Are you humble enough to ask forgiveness for your own failings? Will you talk to them, instead of at them? Do they need your help in order to become their best selves? Are you in need of their help?

I’m going to end this post with some practical thoughts. 1) Make a list of your strengths (things you want to grow in your personality) and weaknesses (things you want to uproot & replace in your personality). Keep in mind, I’m not talking about all aspects of your personality. You can’t become less of an introvert or an extrovert. You can, however, become less selfish with your time & energy (I’m talking as one of you, introverts!) or listen more (I’m talking to you, extroverts!). 2) Consider asking your friends and family what aspects of you are harmful and need changing. They know your blind spots better than you do. 3) After you have done these things, think about how you can become a better person and make a practical plan to work on those virtues.

An INTJ’s Guide on How to Plan Projects in 4 Steps

As a creative (author/singer/conductor/composer), I’m always working on some project or another. They are frequently in some state of production. I’ve been working on some projects for years; some only a few months. However, the thing that grants me the most satisfaction is when I finish them.

Don’t get me wrong. Starting a new project is invigorating. It’s so exciting that you can almost taste it. I love that feeling too, and I get a bit antsy if I hit a point with too few projects. What is a creative who doesn’t create?

Once the excitement of a new project wears off, however, it’s easy to become bogged down. Your project hits some roadblocks. People aren’t as interested as you are. The worst place to be is in the middle of a project because you feel like it will never get finished. The end is nowhere in sight.

Many people give up at this point, leaving project debris everywhere. I’ve known many people who live their entire life this way. Still others are so afraid of the soggy middle quagmire that they never even start. To mix my metaphors, the mountain scares them so much that they refuse to set one foot on it.

This is an unfulfilling way to live. So, what I’d like to do in the following portion of this post is give some advice on how to begin to finish things. This is the methodology that I use, either consciously or unconsciously, in starting projects so that I have a greater chance of finishing them.

#1 Count the Cost

Which of you, wishing to build a tower, does not first sit down and count the cost to see if he has the resources to complete it? Otherwise, if he lays the foundation and is unable to finish the work, everyone who sees it will ridicule him, saying, “This man could not finish what he started to build.”—Jesus

A lot of folks skip this step. They only think about their desire to build the tower, not what it is going to cost in time, energy, and finances. Make sure you have what it takes. If you think that you don’t, you have a few options: 1) get help or advice, 2) make your project smaller, 3) postpone it until you have more of the above resources, or 4) don’t do it.

#2 Start Small and Build

Whoever is faithful with very little will also be faithful with much, and whoever is dishonest with very little will also be dishonest with much.—Jesus

Some people like to start massive projects when they don’t even know how to complete small ones. This is a recipe for failure for a couple reasons. 1) You haven’t built up your trust capital with others. Why should they trust that you will see things through or that you will be honest with funds? Demonstrate that you are a consistent, trustworthy individual in small projects and things. 2) You haven’t learned how to complete the smaller projects. Those smaller projects give you an opportunity to learn (and make mistakes) without dire consequences. Cut your teeth on small projects before tackling the big ones. One of the first projects I ever was entrusted with was running a custodial crew. Not glamorous, but I did learn a lot making sure we had enough supplies, leading my crew members, being responsive to faculty and staff’s requests, and passing white glove inspections.

#3 Plan your steps

I’m amazed at how many people start a project without even creating some sort of plan! Figure out what end result you want, and then write down what needs to happen in order for that end result to happen. What information do you need? What are some areas of weakness? Will you need someone’s help with it? What resources do you need and when do you need it by?

#4 Make a To-do List

I recently read a book that denigrated To-do Lists. I fervently disagree! I wouldn’t get half as much done without them! Sometimes I don’t even know where to start with a project (although usually the first step is to gather info). At that point, I make a To-do List and then pick one of the things. Once that’s done, I pick the next thing. Amazingly, the projects get done fairly smoothly.

Well, that’s about it for this post. How do you finish your projects? What do you find to be the most helpful?

Book Launch Day 3: Read the First 2 Chapters of My Book!

So, this is day 3 of my book launch. I thought I’d give a sneak peek into my book, The Greater Evil: The Giftless Chronicles, Book 2!

 

CHAPTER ONE

A New Day

 

Sparring in the bright morning sun, John smiled as he ducked under Mark’s huge fist and countered with his own quick jab to Mark’s midsection. Under Mark’s tutelage, he’d grown so much as a fighter. His kicks were snappier, his throws crisper, and his aim truer. Even his sword and dagger skills were cleaner.

Mark easily sidestepped the punch, barely breathing hard. “Very good. You anticipated my punch. Make sure you—”

John grunted in frustration as he shuffled in and threw a roundhouse kick to the side of Mark’s head. His foot caught Mark’s jaw, staggering him. John followed with a second roundhouse kick to Mark’s ribs. This time, however, Mark was ready. He stepped in, grabbed John’s kick out of the air and dropped his other elbow on John’s thigh. He finished with a sweep of John’s other leg that he was using for balance. Pain tore through John’s leg, and he fell onto the hard earth with a thud.

“I was going to say,” Mark continued, a white smile stretched across his dark face, “make sure you don’t leave yourself open when you attack.”

Breathing heavily, John studied the clear, blue sky as he waited for the pain in his leg to dissipate. “Well, if I’d been faster, you wouldn’t have been able to block it.”

Mark offered John a hand and pulled him up. “It’s not speed that’s the issue. You rely too much on your kicks. They’re beautiful kicks mind you, but you need to keep your enemy guessing.’

John rubbed his leg where Mark had charley-horsed him. “I still got you with that high kick, though!”

Mark laughed and slapped John’s back a little too hard. “True enough! True enough! C’mon, let’s go inside. I hear Corinne and Madelyn are returning from camp at any moment.”

John mopped his sweaty, chestnut hair to the side with a dirty hand. “You should have told me. I’m filthy!”

Mark narrowed his deep brown eyes mischievously as they reached the door-wall. He grabbed the handle and slid the door open along its track. “Why would you care?”

John rolled his eyes and stepped into the cool air conditioning of the Durhams’ two-story house. It was August, and even though John had spent most of his summer break outside, as his reddish-brown tan would attest, he still preferred the dry heat to the stuffy, Michigan summers. “Thanks for the lesson, Mark. I’ll keep it in mind.”

With a contented sigh, Mark nodded and sat down at the table on the inside of the door-wall. “I do love me some air-conditioning, though!”

John smiled. “Don’t you always say that North Carolina summers are twice as humid?”

“It doesn’t mean that I can’t appreciate a nice, climate-controlled room when I sit in it. I imagine this is what heaven feels like.”

“Uh huh, sure,” John said, playfully. He stood and listened for a moment. “Where are the twins?”

The clang of pots and pans in the kitchen stilled for a moment, and Diana Durham spoke up. “Daniel and Cynthia are visiting their grandparents in North Carolina. We thought we’d try to get a little peace and quiet before the baby comes.”

John nodded. “Makes sense. I’m sure they’re having fun!” He paused, then added, “Hey, when’s lunch?”

Diana poked her head around the corner into the dining room. Her strong eyebrows added an intensity to her brown eyes. Her long maternity dress accentuated her height. “You know, it would go a lot faster if you two helped.”

Mark rose from his chair, and his heavily muscled arm saluted. “Yes, ma’am.” He chuckled. “What do you need us to do?”

She laughed and waved them in. “Come on into the kitchen, and I’ll show you guys. Make sure you wash up.”

 

***

 

They were almost finished when someone creaked open the front screen door. John, who had been busily cutting carrots for the salad, craned his head to see who it was.

He almost gasped as Corinne walked in, a green suitcase on rollers trailing her. Last time he’d seen her, she’d worn a t-shirt and jeans and no makeup. Now, her long, black hair glistened under the light, and a knee-length, black-and-white checkered sun dress adorned her creamy skin. Apparently, John wasn’t the only one who’d been kissed by the sun this summer. A simple gold cross, a gift from her late Uncle Sam, rested on a necklace beneath her chin.

There was something else, too, something John couldn’t identify. Corinne’s every movement flowed with a gracefulness that she hadn’t had when he’d first known her. Gracefulness mixed with strength, that’s what it was.

Diana ran to her daughter as quickly as her very pregnant body would allow. “Corinne, you’re home!” They hugged each other, and John glimpsed some of the family resemblance that he hadn’t before. Though Corinne was almost a head shorter than her mother, and would probably always be, they had the same dark eyebrows and round face. She smiled lovingly at her daughter. “You’ve grown so much!”

Corinne’s gold-hazel eyes flashed quizzically as they released the hug. “Mom, I’ve grown maybe half an inch!”

“Well, even so,” Diana said, one hand on her own stomach and the other touching Corinne’s face, “you’re just so beautiful.”

The front door opened again, and Grandma Franklin slipped in. Whereas Diana was tall and thin, she was short, and her brown and gray hair framed her round face.

“Hi, mom,” Diana said, and hugged her tightly. “How’s Nanna?” she said, referring to her father’s mother who’d had a medical emergency earlier that summer.

Grandma Franklin smiled and craned her neck up at her daughter. “You know your grandmother. She’s too ornery to die.”

Diana laughed. “Dying wouldn’t be ‘proper.’”

Grandma Franklin suddenly grew serious. “Can we talk? It’s about Corinne.”

Corinne stiffened slightly, and her eyebrows arched at the sides.

Diana lightly bowed her head. “Sure. Let’s go outside. Corinne, why don’t you go help John and Mark finish preparing lunch.”

As they made their way outside, Corinne glided into the kitchen. “Cousin Mark!” she said, and floated over to where he was pulling plates out of the cupboard.

Mark set the plates down on the counter and turned. His body dwarfed hers as they hugged.

“She’s right, you know,” Mark said.

“About what?” Corinne asked.

“You seem so much taller, for some reason.”

Corinne shrugged. “Don’t ask me. I’m wearing flats.” She stepped over to where John was putting the diced carrots into salad bowls.

She smiled and brushed a strand of beautiful dark hair behind her right ear. “Hi, John.”

John’s pulse quickened. “Oh, uh, hi, Corinne. Where’s Madelyn?” Her crestfallen face told him that he’d said something wrong.

Her face quickly froze to a neutral expression, however. “We dropped her off at her great aunt’s house. She hasn’t been feeling well.”

John fished for something to say. “Um, what are Mrs. Franklin and your mom talking about?”

Corinne picked up the salad bowls and turned so that John couldn’t see her face. “I…kinda got in trouble at camp. We can talk about it later.”

Mark picked up his plates. “Corinne, would you mind getting out the forks and knives?”

She nodded and pulled open the cutlery drawer. “Sure. Hey, uh, is dad here?

Mark pursed his thick lips. “He’s been in his room all day.”

Corinne’s eyebrows furrowed as she counted the utensils she needed. “Does he know that I’m coming home today?”

“Yes, your mom told him. He said he wants to make sure his sword and other weapons are sharp.”

“So, he’s not coming down.” It wasn’t a question.

Mark shook his head. “No, sorry.”

The forks and knives in Corinne’s hands trembled for a moment, then stilled. “Oh, okay.” She made a beeline to the dining room and placed the forks and knives on the sides of each plate.

 

***

 

The front screen door swooshed open again, but only Diana stepped through it. “Corinne, could I talk with you for a second?” It wasn’t a question, either. She pointed to the living room.

John glanced at Corinne, whose face set in grim determination.

“Yes, mom,” she said, and walked like she was marching to her own execution.

“Corinne,” Diana said in a voice meant to be quiet but John overheard anyway, “Your grandmother told me earlier this summer that you’d ran off on a Hunt. Now I learn that you also got a teacher in trouble!”

“Mom, let me explain!” Corinne said. “Another camper was in danger. We were the only ones who could hel—”

“Enough!” Diana exclaimed, her eyelids and eyebrows scrunched shut. She laid a hand on Corinne’s shoulder. “Corinne, you can’t keep fighting monsters like this. It’s too dangerous, and you don’t have the Gift. You’ll get hurt.”

“I know, Mom, but please listen,” Corinne said. “There were a lot of other factors.”

Diana shook her head. “No, no. You’re grounded. You can’t leave the house for any reason!”

Corinne breathed in deeply. “Okay. May I at least go with you to pick up Aunt Eliza from the train station tomorrow?”

Diana paused for a moment. “Yes, but I’m not the one going.” She walked into the dining room.

“John?” she called.

John was depositing the salad bowls next to the plates on the table. “Yes?” He acted like he hadn’t heard the recent exchange.

“When you and your father pick up my sister tomorrow, would you take Corinne with you?”

John glanced at Corinne. Her hazel eyes pleaded with him.

“I don’t see why it would be a problem,” he said finally.

“Thanks,” Diana said. 

 

CHAPTER TWO

Aunt Eliza

 

The Blackstone’s light blue SUV purred quietly as John nervously steered it down the road. The sun, golden in the west, momentarily blinded him, and he flipped down the visor.

His father, Anthony, white-knuckled a handle attached to the ceiling of the vehicle. “Easy, John. Please take this turn more slowly than the last one.”

“I will, Dad,” John said. “Sheesh. Take it easy. You’re stressing me out!” He slowed to a complete stop and then waited an absurdly long amount of time before turning down the road toward the Durhams’ house.

Anthony’s smile lit up his graying hair and eyebrows. “Sorry, son. I guess I have a hard time letting go.”

“I don’t understand how you can run an emergency room and yet get so worried about my driving.”

“It’s different. They’re putting their lives in my capable hands. I’m putting my life in yours.”

John gave his dad a side-long glance and grinned. “Nice.”

“I picked the wrong time to quit drinking,” Anthony muttered jokingly.

“What was that?”

“Oh, nothing, Son.”

John’s father had avoided alcohol for almost eight months, and had been going to a support group for nearly as long. John and his father had finally reached the stage where they could joke about it, for which John was grateful.

Anthony cleared his throat. “So, I hear that Corinne and Madelyn are back.”

“Yeah, they got back yesterday. I saw Corinne last night,” John said. “She’s changed a lot.”

“How so?”

“Well, she seems more comfortable but also more serious, older somehow.”

“Corinne was always an old soul trapped in a young body.”

“I know, but…I don’t know…we’ll be taking her to pick up Aunt Eliza. You’ll see what I mean.”

Anthony squinted mischievously at John. “Interesting.”

“What?”

His father never answered, and John rolled his eyes. As they pulled in to the Durhams’ driveway, John saw a pair of jean-covered legs sticking out from underneath a beige car.

John stared quizzically at his father as they exited the SUV.

“Corinne?” He asked.

Corinne rolled out from under the car. Her black athletic tank top matched her hair and displayed her toned arms. Most of her hair was pinned in a bun, but several strands clung to her neck. Her left hand unconsciously stroked some strands downward in an attempt to cover a long scar etched down the side of her face. She clicked off the flashlight in her right hand.

“Hey, John, how are you?” She said as she stood up and dusted the dirt off her pants. Grease smudged her forehead.

“When did you start working on cars?” He asked.

Corinne smiled. “Remember when I said that I got in trouble at camp? Well, let’s just say that I got to spend a lot of time working maintenance with my grandfather.”

John couldn’t find words to say. He hated that. Finally, he said, “Well, that’s cool.”

Corinne turned to Anthony. “Hey, Dr. Blackstone. How’s your summer been going?”

Anthony, who’d been watching his son with a bemused expression, arched an eyebrow. “It’s been going well. The hospital has kept me pretty busy. Are you ready to get going?”

Corinne nodded. “Yeah, of course. Let me freshen up for a sec and grab something.” She sprinted inside the house.

At that moment, Diana opened the screen door and stepped onto the porch. “Dr. Blackstone, It’s good to see you.”

His gray head bowed slightly. “Mrs. Durham. And how is the pregnancy going?”

Diana walked over to the porch swing and sat down. “About as well as could be expected. Thank you for the gynecologist you recommended. She’s been amazing.”

Anthony smiled. “My pleasure. I’ve been very impressed with Dr. O’Connor’s work.”

“We Hunting families usually hire the gynecologist from Advanced Power. She does a great job, but it’s nice to have someone closer to home.”

Anthony’s brows furrowed again. “Actually, I have a favor to ask of you. Would it be possible for me to talk to her and ask her some questions about blood work and the like?”

Diana’s lower lip puckered. “Why?”

“I’ve been doing a lot of reading and research on genetics over the past few months, and I want to figure some things out.”

She shrugged. “Okay, I’ll let her know.”

The door opened again, and Corinne walked out. Her hair had been tightened in the bun, but more strands covered her scar. The grease on her forehead had also disappeared, and she clutched a long, thin wooden case with a strap attached.

Anthony nodded. “Thanks. Well, let’s get going. Tell Christian that I said hi.”

She smiled sadly. “I’ll let him know. I’d hoped that he would come down.”

As Corinne approached John, the calming smell of vanilla wafted toward him. He raised an eyebrow. “What’s that?” He said, pointing to Corinne’s case.

Corinne slipped the strap over her shoulder. “Just a precaution. Can’t be too careful these days.”

 

***

 

Corinne sat in the passenger’s seat and cringed as John’s foot slammed the brakes at the stoplight.

“So,” she said, “how long have you had your permit?”

John looked over at her. “A few weeks. Why?”

Corinne stared ahead. “Oh, you know…”

From the back seat, Anthony stuck his head between them. “John, remember to gently apply the brakes.”

John’s face flushed, even through his tan. He decided to change the subject.

“So, uh, Corinne, why was your grandma upset with you?”

Corinne closed her eyes. “If I tell you guys, you have to promise not to tell anyone, even my parents.”

John leaned back in the driver’s seat. “Really? Why?”

“If the truth got out, Kerrigan could use the information against us. Plus, Madelyn would be embarrassed.”

John sniffed. Assessor Janet Kerrigan had had it in for the Durham family ever since they’d kicked her out of her Assessment. She’d denied them assistance when Corinne’s father and her Uncle Sam were captured, and Uncle Sam had died because of it. “Okay. I promise.”

She turned around. “And you too, Dr. Blackstone.”

Anthony nodded. “Of course.”

“Okay, then. Madelyn ran away from the camp to find her mother. She got herself captured.”

John pulled a hand from the steering wheel and clamped it to his mouth. “That’s so dangerous! Her mom’s a vampire.”

Corinne smiled faintly. “Yeah, it was really foolish. She almost got killed.”

Anthony spoke up from the back seat. “Did you find her mother?”

“No. The monster we found was…not what we were expecting. She was a monster who preyed on bad children.”

“A bogeyman?” John asked.

“A bogeywoman,” Corinne corrected with a grin. “Anyway, we couldn’t tell anyone because Kerrigan was assessing the camp at the time.” Corinne’s eyes narrowed. “Even her daughter was there causing problems.”

“I see,” John said. “How did you rescue her?”

Corinne sat silently for a moment. “Aleksis and I tracked Madelyn down and got her back. It was really dangerous. The monster was just crazy powerful, and then Emilee and Donovan attacked.”

Anthony whistled. “It sounds like you had your hands full!”

“Yeah, but Aleksis and I had to take the fall for it.”

John frowned. “Who’s Aleksis?”

Corinne smiled and absently patted the box on her lap. “A fellow Hunter, but from Europe. It was pretty cool to meet someone from there.”

John smiled at Corinne. “I’d like to meet her someday.”

They rolled into the train station.

“C’mon, your aunt is due any minute,” John said, parking the SUV.

Corinne unlatched the door and all three of them walked toward the train station. It was a large, one-story structure. Light and dark red bricks formed circular patterns around one another up the wall. Her fingers rubbed the rough brick before they stepped inside.

As the last rays of red light shown through the skylight, a handful of people milled around the station, mostly staring at their phones. Several of them lazily glanced up at Corinne, John, and Anthony, then returned to studying their electronic devices. One of them, a tall, young man with pale skin dressed in a crisp, black suit watched a little longer than the others. He held a wooden cane with an ornate handle, and his brown eyes tracked them from across the room. Once they made contact with Corinne’s, he smiled but quickly stared back at the phone in his hand.

The hairs on the back of Corinne’s neck raised, and she caressed the smooth wood of her case that she’d strapped to her back. Ever since last year when vampires and a sorceress named Emilee had attacked her family, she couldn’t shake the fear that something was hunting them. She was probably being paranoid.

“What time was your aunt coming in, again?” John said. He tapped his foot and stared at the doors facing the train tracks on the wall opposite the entrance.

“She should be arriving…now,” Corinne said. As if in answer to her statement, the tracks rumbled expectantly. The train whistle blew, and the silver train rolled into the station.

She smiled as her aunt stepped off the train. Like Corinne’s grandmother and herself, Aunt Eliza was a short woman with dark hair and a round face. Unlike them, a crutch with one of those cuffs around her right arm held her upright. Corinne had once asked her mother why Aunt Eliza used it, but her mom had clammed up.

“Aunt Eliza!” Corinne exclaimed as she jogged over.

Eliza hugged her tightly. “You’ve grown so much since I last saw you. You’re almost as tall as me!”

Corinne peered upward at Eliza’s blue eyes. “Why does everyone keep saying that? I’m only five feet tall.”

Eliza beamed. “It’s just been so long since I’ve seen you.” She put her left hand down to her waist. “Last time I saw you, you were only this tall!” She hugged Corinne again.

Suddenly, an average-sized man slipped beside Eliza. His deep brown eyes, set in a deeply tan face, were perched above his hawkish nose. He warily searched the area.

“We should keep moving,”  He whispered in a high tenor voice loud enough for Corinne to hear. “This station isn’t secure.”

“Yes, of course,” Eliza said. “Corinne, this is Assessor Steven Avalos. Assessor Avalos, this is my niece, Corinne.

He clasped her small hand in his larger one. “It is nice to meet you,” he said.

She shook his hand, then waved over to where John and Anthony were sitting. The Blackstones stood and walked toward them. “This is John Blackstone and his father, Dr. Blackstone.”

Anthony shook their hands. “You can call me Anthony,” he drawled.

“It’s nice to meet a fellow Texan,” Avalos said.

“Likewise.”

“Okay, let’s get moving,” Avalos said and hurried them toward the door to the parking lot.

They’d almost pushed open the door when a large crack sounded, and something punched Corinne in the back. She pitched forward, face-first, onto the ground. Her sword gleamed through the shattered case.

Thanks for reading this excerpt! If you want to see more, buy my book, The Greater Evil: The Giftless Chronicles, Book 2 from Amazon today! Ebook is $3.99 and the paperback is $16.50.

Say Something Interestingly

In preparation for my latest book, The Greater Evil (The Giftless Chronicles, Book 2), I’ve been writing some posts on the creative process. If you want to read my first two stories  (The Vampire Conspiracy [book 1] and Shadows & Nightmares [book 1.5]), please click on the links.

Also, this is the 3rd of three posts on this topic. You can find the other two here: The #1 Rule for Making Art and The Danger of Saying Something Interesting.

With all that out of the way, let’s jump in, shall we? In those previous posts I laid out a rule for making art.

Say something interesting, or say something interestingly.

In my first post, I said that most people focus on the first part to detriment of the last part. They fixate on saying something original, not realizing that this is not really possible for most people. There are only so many innovative people in this world, and to try to be one when you are not will lead to heartbreak and frustration.

So, what can be done? If we can’t be on the cutting edge, what kind of things can we create? This is where the second half of my rule comes in. We must say something interestingly. We need to put our own spin on something already created.

The actor who interprets a script written by someone else does this. So does a painter who is working from a photograph. A singer or instrumentalist performs music by a composer. A writer tells a story using an established story structure and adhering to the tropes of the genre. All of these are not typically going to break new ground or completely change the world. However, they are art. They are worthwhile.

What can you do to say something interestingly? 1) You can research how other creators have done it in the past. The tried and true works for a reason. 2) My own personal opinion is that you also need to make it your own. Instead of saying something original, say something personal. Two great actors will interpret the same script, the same lines differently, and this is fascinating. As an audience member, it keeps you hooked. A great singer can make an over-performed work come alive, bring out nuances that the audience member has never considered before. The writer can tweak the story structure or tropes in order to make the story fresh. By putting your own unique spin on something, you make it subtly original.

The danger with saying something this personal is that you feel exposed. What if people don’t accept your new interpretation? Is this a denunciation of you as an artist? I answer with two words. “Who cares?” Don’t worry so much. I can almost guarantee that if you obsess over what other people think of your artistry, it will not be nearly as good as if you didn’t.

Make your art. Do your best to create something purposeful, meaningful, and interesting to you. Think about your audience and how best to communicate to them. If you create something truly groundbreaking, great. Awesome. If you only succeed in putting a fresh take on something, that’s great too.

The Danger of Saying Something Interesting

After I wrote my previous post on The #1 Rule for Making Art, Part 1, it occurred to me that I forgot to include an important thought. I’d already included the idea that some folks try too hard to be original with their creations. Instead what they’ve created is banal or even complete nonsense. It’s just excess verbiage.

There is another danger, however. Namely, saying something original can get you into trouble. We live in an age where there is a great emphasis on ideological homogeneity. Those who deviate from this groupthink are castigated and excoriated on social media. Our culture promotes individual destruction instead of personal engagement. Amazingly, this has not led to peace (I say this sarcastically).

Some folks respond to this danger by becoming as milquetoast as possible. They are understandably afraid of the consequences, so they force themselves to conform to the culture. They stand for nothing that could get them shot at by those who could harm their business or careers or relationships.

Others desire to show their conformity by sharing links from their favorite new sites multiple times a day and ranting about how the other side is evil or stupid. These people used to confuse me, because I thought the point of posting was engagement. But they aren’t trying to engage with the other side. Sometimes, they’ll even say in their post that they’ll delete anyone who disagrees! So why do they do this? Often, they’re trying to display their commitment to their own side.

I am thankful that my family actively encouraged debate and discussion. We usually have at least one solid debate/discussion every time all of us get together. One holiday, my brother even sent reading materials to us so that we could understand the issue before we started!

In a world chock-full of groupthink, dare to freethink. Dare to deviate. Ask the uncomfortable questions. Seek to understand all sides and create an informed, nuanced opinion. If someone makes a good point, engage with it. Maybe even change your mind (gasp!) or rework your argument. You’ll be better for it. And let us know your thoughts; life’s much more interesting that way.

However, always consider the ramifications. Count the cost because there may be a steep price to pay. The danger of not being 100% on someone’s side is that they will sometimes start firing at you. If the majority of the people in your industry disagree with your thoughts, they might even try to torpedo your career.

So, choose how to make your point and how it will best be received. That might mean posting on social media, although that’s more of a cesspool of anger and vitriol than anything. Maybe private message them instead. Perhaps—and this is a crazy thought—you might want to talk to someone personally, over coffee or something.

The Greater Evil Book Cover & Blurb

Hello Everyone,

So, my new book cover is here! I’m excited about how it turned out. I set the book in my old stomping grounds, the great city of Detroit! I hope you enjoy it! Get caught up on my first two stories (The Vampire Conspiracy [book 1] and Shadows & Nightmares [book 1.5]).

Here’s the blurb (the info on the back cover):

It’s just Corinne’s luck. The Hunters Council has summoned her family to Detroit for judgment, a relentless assassin is stalking them, the Chief Assessor is out to get them, and an evil sorceress plans to awaken a dark horror from the beyond. What’s a girl to do?

Meanwhile, John’s life is getting complicated. His secretive father is researching his Gift, and terrifying dreams are haunting him, ones where he’s the monster! Could this be related to his best-friend-turned-evil-vampire Donovan? What sinister plan could Donovan and his girlfriend Emilee be plotting?

The stakes are raised in this exciting new entry of The Giftless Chronicles!

The #1 Rule for Making Art, Part 1

The time has come. My  2nd, full-length novel is soon to be published. I’m currently waiting on some last-minute fixes to my cover. Formatting is not always my friend, alas…Anyway, if you want to get caught up before the next one drops, just click on these links and buy my first two stories (The Vampire Conspiracy [Book 1]; Shadows & Nightmares [book 1.5]). I highly recommend it as my books are part of a series, The Giftless Chronicles.

As I approach publishing this story, I’ve been pondering what makes art meaningful and enjoyable. What principle can I apply to my art, regardless of what it is, that will make it profound and moving? Is there even a unifying principle?

I believe that there is, at least for me. I use this principle when I sing, conduct, write, and teach. Abandoning this principle creates boring, insipid art. Following this principle will create, at least for them, meaningful art.

Are you ready? Here it is:

Say something interesting, or say something interestingly.

Now, you might say that this is too simple or a pedantic playing on words. I say that you’re wrong. Let me explain by breaking the principle into its two parts.

#1 Say something interesting.

By this, I mean that the artist should tell me something I haven’t heard before, something original. This might be a new idea, or a new twist on an art form, or a new blending of an art form. Something that makes me pause and consider and say, “Wow, I’ve never thought of that before.” Whether it’s synthesizing information in a new way or forging a completely new path, this kind of creation is exhilarating.

Out of the two parts of my rule, many creators want this one the most. It’s flashier to be Debussy, Tesla, Steve Jobs, or Picasso rather than Mendelssohn, Edison, Bill Gates, or Rubens. That’s pride. We want to think of ourselves as our own people. There’s also more forgiveness for mistakes. We forgive someone’s clunky writing or sloppy artistic execution if they’re charting a new path.

Unfortunately, saying something interesting is the harder one to do.  So often people try to be original and come off sounding like they are trying too hard. There are only so many original ideas that people come up with at any given time. Even brilliant, original thinkers only come up with a handful of truly revolutionary ideas.

It is a dangerous thing to pursue originality too much. Too many people obsess over it as if it’s the be-all end-all. Instead, obsessive pursuit of originality can freeze an artist, creating the dreaded artist’s block. They’ll throw away a perfectly good piece of art because it’s not “original enough.”

And, sometimes people think that they’re saying something original when they’re not. They think that they’re profound when they’re actually spouting nonsense. All too often, writers mask lack of profundity with excessive verbosity. To quote the great philosopher Bane from The Dark Knight Rises, “Theatricality and deception are powerful agents to the uninitiated.” Blathering on and on doesn’t mean that you are smart or creative. It means that you can’t communicate clearly and concisely.

All of this leads me into the 2nd half of my rule. Unfortunately, we’re out of space for today, so I will continue this thought in my next post.

Life Update June 2020

Hello Everyone,

It’s been a while since I’ve posted one of these, but I blame 2020. It has certainly made things “interesting.” Most of us would prefer this year end now, but that is not the case. When life becomes difficult, we must rise and adapt to meet it. Bruce Lee once said that we need to be like water—formless, adaptive, unpredictable, etc.

That’s what I’ve been trying to do. Like most musicians, the pandemic knocked out all my music gigs and my voice studio suffered. (Seriously, if anyone wants to take some online voice lessons over Zoom, I am available for a reasonable price 🙂 ; just contact me). I’ve got a 4 lesson package for beginning singers that is popular!

Anyway, I adapted by going back to work on other projects that I’d been interested in starting or finishing. Here are some of them:

#1—My 2nd, Full-length Novel in The Giftless Chronicles Series

I’d long been wanting to finish my second novel in my young adult series, but life had gotten very busy with music stuff. Once all of that disappeared, I had the opportunity to work on it. I cranked it out, and currently I’m in my 2nd round of editing. It turned out to be a fun to book to write. The characters are developed from my first book and the sequel novella, and the plot THICKENS. (dum dum dum!) Click on the links above to get caught up before the novel comes out!

#2—Songwriting

The secret to a good collaboration is this: Find a talented person who says “yes” to your crazy ideas and  follows through, then you do the same. Over the past couple years, I’ve had the wonderful opportunity of working with Evgeniya “Jane” Kozhevnikova on musical projects. She’s the Celebris Ensemble’s composer-in-residence. She and I have been working on a musical (or lyric opera, whatever you want to call it) on the book of Ruth from the Bible. It has been an awesome collaboration. So far, we’ve written 7 songs together! Here is one song that is sung by Ruth to Naomi, Ask Me Not to Leave You.

#3—Celebris Ensemble

Like most ensembles, our season was cut short. We even had a really cool collaboration planned with WMU that was canceled. But we’ve been able to post some recordings from our February (Valentine’s Day Concert).

Follow us on Facebook for updates on what this next year looks like and how the pandemic affects our concerts.

#4—West Michigan Homeschool Fine Arts Received a First Rating at MSVMA

Three years ago, I started WMHFA’s secondary choir in Kalamazoo from scratch. I’m pleased to say that they received a first rating at MSVMA’s choral festival! So proud of them! Unfortunately, COVID-19 shut down all of the schools here in MI, and so we didn’t get a chance to go on to the state level. We sang Ave Verum Corpus (W. A. Mozart) and Hine ma tov (arr. Neil Ginsberg).

I’m sure that there are other things that I am forgetting, but these are things I am currently working on!

Five Struggles of the INTJ Musician

Understanding yourself can go a long way towards your success.  When I first started out as a musician, I definitely didn’t understand myself. This had a direct impact on my initial effectiveness, because what works for many other personality types didn’t work for me. But, if you can play to your strengths and work around/strengthen your weaknesses, then you can succeed.

As an INTJ (Enneagram 5w4), here are five struggles that have presented themselves.

#1—Being visible in your industry.

As INTJs, we sometimes think that being seen is a bad thing. Moreover, the introvert within us doesn’t really want to be seen. We often wait until other people fail to lead before we step up to take the reins.

This mentality may not suit you well. Unless all the doors open for you in your career (which sometimes happens), then you are going to need to step out in front of others. You must not only be excellent, competent, and collegial, but people must see you as being those things. Once this happens enough times, word of mouth spreads, and more work comes your way.

When I first started out, I failed to grasp the importance of promotion and marketing. My assumption was that success happened magically after working hard enough. That wasn’t the case. I realized that I needed to treat my music career like a business, and part of any good business is visibility.

#2—Letting people in on your plans and ideas.

As an INTJ, you keep much of your life private. You do not like to show much of your inner thoughts. This is often because what is going on inside your head is very individualized, and you’ve found that people have a hard time following the connections that you’ve made.

When I was a young person, I would make observations or come up with ideas that I thought were perfectly obvious. I remember being shocked that people would stare at me as if I’d said something they’d never heard before. This wasn’t because what I’d said was weird (I would turn out to be correct). It was because my brain operated differently than others.

You are an idea and thought factory. Own that creativity. It is a valuable way that you can contribute and excel in your craft.  Additionally, people need to sign on to your artistic plans for them to come to fruition.

#3—Realizing that, sometimes, conventional is best.

INTJs like to do things their own way. This works well when they are working by themselves, but more difficult when working with others. INTJs might think that rules are made to be broken, but most people do not like to stray out of their comfort zone. And traditions/conventions often exist for one major reason: they’ve been proven to work.

I remember feeling liberated when I understood that I was free to operate inside or outside the conventional. Now, I work with long-established organizations and I do my own stuff. It’s so much more enjoyable. Although, I will say that there are few things more fun than collaborating with a dynamic, motivated group of outside-the-box thinkers!

#4—Giving positive feedback.

INTJs don’t need a lot of praise.  We are a very independent group. This can be a strength, as it can enable us to doggedly move forward with an idea when others might give up. Unfortunately, this mindset doesn’t work when dealing with others. Many people desire a significant amount of encouragement. It is good to give it.

#5—Smiling more.

As I am writing this, the world is locked in the COVID-19 pandemic. Musicians and others have been forced to move online via video conferencing. I’ve noticed that, particularly in large group video chats, I don’t show much emotion on my face. In fact, I can look downright scary! This is known as the INTJ death stare.

INTJs are not known for their effusive faces, and this can come back to haunt us. Your students and collaborators need encouragement, and your face is an effective tool to do it. In my last master’s program, my conducting professor would tell me to smile more because the singers in the choir rehearsal would respond. It was true.

Well, that sums up a few of the things that INTJs struggle with. There are many others, but these came to my mind. If you think that I missed some, feel free to contact me. I would be happy to speak with you!